Friday, December 2, 2011

Interview with Sensei Terry

1. How long have you been training?

In January of 2012, I will have been training for 20 years … I wish I had started sooner!

2. What martial arts have you studied?

I began my martial arts training at Harp Karate, studying Sensei Harp’s interpretation of Isshin Ryu Karate. I took a stab at Aiki Ju Do, but it didn’t work for me … I love the concept and principles of Aiki, but I have physical limitations that prevent me from pursuing the art. No worries though … Aiki Ken Jutsu and Ken Ai Do provide me with many opportunities to expand my horizons. These sword arts add depth to my training.

3. What do you love most about the martial arts
?

So hard to say … there is always room for improvement and growth … there is the feeling of confidence … there is the satisfaction in helping others learn … I have never found a negative aspect to martial arts training …

4. What do you think is special about Harp Karate compared to other schools? 

 I have never trained at another school, but I have visited some … at Harp Karate each student is an individual, valued for their individuality and trained with that individuality in mind. Each student is encouraged to work and progress at the pace that suits them best, and each student is backed by the support of all members of the dojo.

5. How did you first become involved in the martial arts? 

My sons joined Harp Karate while I was undergoing radiation and chemotherapy in a battle against breast cancer. When I finished my chemotherapy, I decided I would “take karate” to regain my strength. My four year old son taught me to tie my belt! I soon discovered that one doesn’t “take karate” … okay … some do … but not me …I was hooked after the first few classes … after that I didn’t “take karate” …. I was on the road to becoming a martial artist.

6. What is your proudest moment in the dojo?
 

I don’t think I can identify a proudest moment … there have been so many and there are so many more to come. The proudest moments so far have been when I have watched someone I have helped to train overcome all odds and attain their goals …

7. Who in the martial arts has inspired you? 

My brother was my first inspiration … then I joined Harp Karate and was inspired by many … Sensei Margot, Sensei Jennifer, and of course, Sensei Harp.

8. Where do you see your training going in the next five years?

As one of the senior members of the dojo (I’m old), I see my training continuing along the path I have been following … I work on making more of less

9. What is your favorite technique, kata, or other activity in the dojo?

When I enter the dojo whatever I practice is my favorite for that day … if I am the sensei I get to choose my favorite ,,, if I am not the Sensei, whatever I am assigned is my favorite for that time.


10. How have the martial arts changed who you are? 

The martial arts have made me an entirely different person …I am more confident (ok … confident at all) … I’m in the best physical condition I’ve ever been….I am happy and proud every day when I train and know that I have improved my life (and had fun doing it!) 





Friday, November 25, 2011

Famous People Who Are Also Martial Artists

This is a fun blog post!

Here is a list of 10 famous people who have trained in the martial arts:

Sean Connery: Kyokushin, also trained under Steven Seagal

Vladimir Putin: Judo Master

Bill Clinton: Taekwondo

Paul Walker: Brazilian Jujitsu

Criss Angel: Karate, Kung-Fu, Taekwondo

Theodore Roosevelt: Judo, Jujitsu

Madonna: Karate

Courtney Cox: Karate

Lucy Liu: Escrima, Silat

Abraham Lincoln: Wrestling

So keep training, who knows it may help you win the next election or land that movie role! Add any others you can think of in the comments.








Friday, November 18, 2011

Interview with Sensei Kris Green

      How long have you been training?

I started in 1991, but had to take time off for knee problems for a few years, then got back into it and had to take time off after getting hit by an SUV while riding my bike in a perfectly legal and responsible fashion. But I’ve been back solidly for almost 5 years now.

What martial arts have you studied?

I’ve studied karate primarily, with Ken Jutsu (art of the boken) coming second. But I’ve also learned and taught some Tai Chi (Yang short form). I’ve been exposed to techniques from Aiki, Jujitsu, and other styles, but only at a very surface level.

What do you love most about the martial arts?

It’s a lot of fun, it’s challenging and it keeps me fit. I’m in better overall shape now than in my 20’s. In fact, martial arts was the first activity that I both liked and had to work hard to improve. I liked that challenge. And the breaks I took for injuries really helped me see how much I was missing. Another benefit is providing me an outlet emotionally and spiritually; the self-discipline and self-awareness have been VITAL to getting where I am today.

How did you first become involved in the martial arts?

My first college roommate wanted to check out the karate club at school. It was Isshinryu-based and a lot of his high school friends had done Isshinryu. I stuck with it; he didn’t.

What is your proudest moment in the dojo?

I think that would have to be seeing and hearing the reactions to what Sensei Lee and I prepared for our second degree test. We really worked hard on those interpretations of the kata, and having everyone react the way they did was extremely gratifying.

Where do you see your training going in the next five years?

I hope to still be on my seigan, first of all. Second, I hope to be more patient and aware; right now, I get very impatient in sparring. I don’t like to wait for my opponent, even though that is extremely important, and always backfires when I don’t wait. I also hope to have helped a few students progress to their next level of training. I’m thinking about some of the green belts, in particular.

What is your favorite technique, kata, or other activity in the dojo?

I love Kusanku. I think that kata is really complex and has a lot of layers to it, as evidenced by the “strange applications” Sensei Lee and I demonstrated a our second degree test. I also like sparring a lot.

How have the martial arts changed who you are?

Believe it or not, I’m a calmer person when I practice regularly. My mental focus is better. I’m happier. In high school, I had a lot of nicknames that were related to my dour personality. Now I’m much more pleasant to be around.

Photo by: Kathleen Vona

Friday, November 11, 2011

Balancing Life and Training

Post By: Lee Phelan

It isn't always easy finding balance with life in general, but it can be particularly difficult in the martial arts. This is especially true while training for an upcoming test. Training too much can lead to burn out and a disruption of life. Not training enough can lead to the stagnation of progress. Aside from hitting your ideal amount of training, there are also things like work, school, family, friends, movies, video games, and other obligations all demanding a certain amount of attention. So how does one balance all of this?

Priorities and goals play a huge role, and are a personal choice. If your goal is to one day run your own dojo, or to become a master in the martial arts, then training moves to the forefront of your life. If your goal is to achieve a certain level of fitness, again, the priorities adjust. Other goals like achieving a specific belt rank have an end in sight, which again influences your priorities. For some people martial arts become a passion, while for others it is a hobby. Depending on your own priorities and goals, training takes on a very different level of importance. Priorities can change year to year, day to day, moment to moment. If you have a hectic work week packed full of meetings and demands, then work might end up being a priority for awhile. If a loved one is in need, then again, your priorities will change. Depending on your goal, you may adjust and fit in training somehow, or you may take a break from training until things are settled.

One simple yet eye-opening moment of enlightenment for me was when I realized my training did not have to take place at the dojo. At first training at home was weird, and slightly damaging (nunchaku and ceiling tiles don't mix). But eventually I came to enjoy being able to work on my own thing, entirely at my own pace.

We are lucky enough to live in a time and place where superb training is not necessary for survival. None of us need to know hand-to-hand combat in order to protect our loved ones or property from barbarians. However, the martial arts for many become a way of life. Consider your goals and priorities in order to get the most out of your training.

Photo By: Deena Hucko




Friday, November 4, 2011

Weapon of Choice

Post By: Lee Phelan

We are lucky to be able to train with a variety of weapons at Harp Karate. At green belt karate student can begin practicing with the sai, nunchaku, and the bo. Later are the tonfas. In Aiki Ju Do students learn the chujo, chojo, and dijo.  Once a student in either art reaches black belt, they can begin practicing with the sword.

At first I never liked weapons. The practical side of my brain would think things like: "When am I going to be walking down the street with a katana or bo in my hand?" However, I have now learned that weapons can teach us much more about balance, power, coordination, and body mechanics than I once thought. A weapon truly is an extension of yourself, and it can teach you a lot.

If forced to choose a favorite, I would have to pick the sword. For me it truly expresses our concepts of opposites. This is a very powerful weapon, even though it takes little in terms of physical strength to use it. At first the cuts and defenses seem simple, but they are complex with countless variations. It is also a very beautiful and elegant weapon, despite being so deadly and dangerous.

Think about your own weapon of choice!

Photo By: Rob Wiltshire 

Friday, October 28, 2011

Working Hard and Being Tough

Post By: Lee Phelan

Recently we all received a letter from Sensei Harp explaining a concept of "old school" training. I have also noticed during my time as a sensei that upper belts often have questions concerning the requirements for black belt, especially once everything in the back of their book is checked off. Often the response to these inquiries is vague and abstract, since it is difficult to put these higher level requirements into words.

However, I believe things can be made much simpler, especially in light of Sensei Harp's letter. Students in the martial arts need to work hard and be tough. I don't necessarily mean cranking out a hundred handstand push-ups or walking on broken glass. There are many other things students and teachers can do to meet these two concepts.

As soon as you enter the floor, get to work. Do not talk about that jerk at work, how much homework you have, or your annoying relatives. I realize this can be difficult, especially when friendships develop within the dojo. But remember, the only talk should be about martial arts. So unless you have a specific question about a technique or kata, start working.

Come to class with the intention of doing your best. If you have an injury or condition you think will hamper you, either stay home or readjust what you are doing the best you can. Complaining to a Sensei or other students will only give you an excuse to take it easy, which negates both concepts.

Think about your uniform. If you only have a lightweight gi, consider switching to a heavy weight. The heavy weight gis will help with your training. It makes performing strong techniques irresistible, since hearing that nice SNAP becomes addicting. It also helps get you in the right mindset, just like wearing formal dress for an important event.

Keep the smiling and giggling down to a minimum. Some humor and being friendly is fine, but be careful not to take it too far. If you are laughing or talking with your partner more than you are working, you may have a problem.

Face your fears. If sparring is scary for you, do it anyway, but without showing your fear. Acting afraid of your opponent will only give them power. I think it is important to continually challenge your fears. For me facing my fears through sparring is a huge affirmation to my martial arts training. Yes, you read that right. There are people I spar with who scare me.  

Everyone struggles with these concepts, and no one is perfect. It takes effort and a strong sense of character to start practicing while others are talking, or to put on the heavy weight gi when it is eighty degrees outside. However, your training both physically and mentally will greatly improve, and your goals will become even closer to your grasp. 

Photo by: Teerapun

Friday, October 21, 2011

Awareness in Every Direction


Post By: Sensei Kris Green  
 
This is, I hope, the first of several posts related to a common theme: the 
karate code. And while the code is Okinawan in origin and derived from and for 
karate, it applies equally well to any martial art. Isshinryu’s founder, Master 
Shimabuku, adapted the Code of Karate from an ancient text on empty-hand 
fighting called The Bubishi. This code is a set of eight precepts that a 
karateka is encouraged to consider, interpret, and reinterpret as he or she 
develops through the art. 
 
1. A person’s heart is the same as heaven and earth. 
2. The blood circulating is similar to the moon and sun. 
3. The manner of drinking and spitting is either hard or soft. 
4. A person’s unbalance is the same as weight. 
5. The body should be able to change directions at any time. 
6. The time to strike is when opportunity presents itself. 
7. The eye must see all sides. 
8. The ear must listen in all directions. 
 
Here, I’d like to focus on the last two precepts: “The eye must see all sides” 
and “The ear must listen in all directions.” I want to consider them together 
because they are very similar, and yet that similarity often hides a much deeper 
interpretation. 
 
On the surface, these two seem to be very applicable to self defense. After all, 
how can one defend against opponents if you are not aware of their presence? If 
you only look forward, you cannot see the enemy hiding just beyond the doorway 
to the right. You may miss the sound of footsteps behind you as a malcontent 
approaches. Not to mention the threats that may come from above as someone drops 
from the ceiling, or below as the floor shifts, slides or falls out from under 
you. 
 
After reading many interpretations of these two precepts, it seems that most 
people stop there. And yet that ignores the profound philosophical side to these 
precepts. Lately, Sensei has been working with us specifically on developing 
awareness. Certainly these precepts speak to the importance of visual and 
auditory awareness of one’s surroundings. But there are two other directions in 
which we must see and hear. 
 
Notice that all the above awareness is focused externally, on one’s opponent or 
potential opponents. Basically, it teaches us to be productively paranoid. But 
we must also listen and see internally. Listen to our own breathing for signs 
that we are tense. See one’s stance and guard from the opponent’s perspective. 
Be aware of one’s awareness and where our attention is located. Listen to our 
intentions, and let go of them as needed. 
 
The other direction is one that normal people might not think of as a direction. 
But I’m a physicist/mathematician by training, so thinking of time as a 
direction is second nature. We must see the future and the past. I’m not talking 
about mystical mumbo-jumbo here. I’m talking about hearing and seeing our 
previous and possible future selves. What did the old me want to get out of my 
training? Have I accomplished it? What will the me of ten years from now want to 
be able to do? How can I help him get there? We are like the stream: the water 
is always changing, but the stream remains. Our self is always changing, and our 
perception of past, present, and future selves is always changing. We must be 
aware of these as well, for we train not just for now but forever. This applies 
every minute of our training – if throw a technique that is good or bad, we must 
move past it and look to the next technique, rather than getting stuck on what 
has already happened. 
Photo By: Idea Go