But What If...

Post By: Sensei Lee

I think one of the most common questions I hear as a Sensei is "But what if...?"

"But what if someone grabs you this way?"
"But what if the have a knife?"
"But what if they are on drugs and don't feel it when you hit them?"
"But what if they hit you with the other hand while you're escaping the grab?"

There are countless "But what if's...?" in life in general, and certainly these questions are bound to come up during training. In fact, it is good to be questioning. It shows that you are thinking about your martial art techniques and not simply following through the motions blindly.

Training in any martial art does not guarantee that you will conquer a gang of goons like Bruce Lee by delivering one perfectly executed technique to each bad guy. It means that should a threatening situation arise, that you are better prepared to handle it than the average person who has no training.

Lets say you are leaving a crowded theater when a fight breaks out. Suddenly an angry, violent, and out of control individual comes hurtling at you and your loved one. Your training can do a few different things for you. Perhaps because of your training, you heard the sounds of a fight and recognized it for what it was ahead of time. Martial arts training could allow you to get yourself and your loved one out of the situation before you inadvertently become stuck in the middle of it. Maybe you were able to get your loved one out of the way and divert most of the blow from this attacker while managing to subdue them with a couple of well timed strikes. Or maybe you heard the attacker coming and had enough time to meet their blow and throw them to the ground with an imperfect but effective Koshi Nage. Or maybe as they were coming at you...

There are thousands of scenarios you can work through. This is in part because of your training, you understand all the different ways a situation like this could play out. In contrast, someone with no martial arts experience would likely not even recognize what was going on until it was too late.

In real life, a self defense situation is never going to work the way it does in the dojo. An attacker will not grab you the same way, react the way you are used to, or necessarily respond to a foot stomp. However, after training for a number of years you start to develop a kind of martial arts 6th sense. You recognize what way joints move and what ways they do not. As openings present themselves you strike without really thinking about it. Awareness is what prepares you to react to an attack accordingly, even if it is not exactly like the way we practice in circle attacks.

This awareness comes from practice and time. One of my favorite Sensei told me something back when I was a green belt that I still think about today: "Cry in the dojo, laugh on the battlefield." I love that saying, and think about it often.

Photo By: Dan Hucko 

Board Breaking

Post By: S Lee

Board breaking is one of those iconic karate things that new students are often in awe over. It is a showy and strong example of sheer power as a hand or leg blasts through wood or even concrete like it was nothing. Reserved for seminars and belt testing, board breaking is also a "special" activity we don't get to do at every practice.

While breaking boards looks impressive, you may find that it is not at all as difficult as you first imagined. Some power, speed, and muscle are needed, however, most of the ability to break a board comes from your mind. Staying focused and hitting through the board, as opposed to ending your strike on contact will determine the likelihood of your success. Mentally, you have to imagine that you are going to explode through that wood board. Being afraid or timid will likely result in failure. Send your energy past the board and into the holders, as if the wooden separation isn't even there.  

That being said, there are other nuances to board breaking. Your Sensei will help you and explain what you exactly need to do. Listen to them! Some techniques are more difficult than others, and if a Sensei suggests trying something else, there is a good reason for it. There are many different techniques to use, including kicks and upper body strikes. It is best that you pick something you are familiar with, especially if it is your first time breaking.

There are different ways to go about breaking your 4 boards. Some students will go through them one by one, choosing one technique at a time to focus on. You pick your technique and find someone to hold your boards. After performing a few practice strikes, you then launch your technique and break. More advanced students, typically green belt and above, will do a series break. This is where you select at least two techniques to do in a sequence without a break in-between. After finding your holders, position them where you want. It might be with them standing across from each other or in a circle around you. Practice your entire sequence a few times. As soon as you are ready, break your boards in the order of your sequence. Another option is to break multiple boards at once. Pick a technique that is very strong for you, like an elbow strike. The holders will keep at least two boards steady, giving you a chance to break both boards at the same time with just one strike.

Enjoy board breaking! This is a fun way to challenge your mind and body. Those boards won't stand a chance this seminar!

This comic used to hang in the Kung-Fu studio. It always made me smile!

Photo By: Ken Smith 

   

Solitary Training

Post By: S Lee

We are all happy to get to practice and see a group of people ready to work hard! Their energy helps keep us going. Seeing people you enjoy working with is always a bonus as well. However, solitary training is also valuable.

Training by yourself can seem boring at first. You also may worry about practicing things incorrectly. But the benefits of this kind of practice outweigh the potential risks. Going through techniques on your own can give you insight you would not normally have gained working in  group. Your focus becomes internalized, forcing you to examine yourself more than you would in a class full of people. As we progress, this is also how we develop our own art, as opposed to doing a kata or technique a certain way because we were told to do so. This might mean seeing other possible applications of the techniques, such as transforming a simple side-block reverse punch combination into an arm break in Seisan Kata. Solitary training is also when you have an opportunity to be experimental. You can freely play around with weapons, techniques, and drills without worrying about possibly messing up and being embarrassed. I spent a week drilling the "suicide" nunchaku move by myself before attempting it in front of other people, not wanting them to see me bash myself in the head with the things. Committing to a seigan is a great outlet for solitary training. Unless you are able to make it to the dojo every single day for classes, you will end up doing some of your training alone.

Lone training can help you develop into a stronger martial artist. Overcome any trepidation you may have about practicing techniques incorrectly. Working on your own is an excellent opportunity to really examine yourself.

Photo By: Ken Smith

Outdoor Seigan

Post By: S Lee

During the Thursday class we have been challenging ourselves by having part of practice outside. The idea is to continue to do this, despite whatever weather conditions might arise. Though we have not been purposely adding time to our half hour challenge, it has been naturally happening. The first time out there we lasted half an hour, while last class we spent about forty-five minutes training outdoors. So why would anyone insist on this?

There are a number of reasons why outdoor training is beneficial. First, we did not pick the Thursday self defense class randomly. Using techniques on uneven ground, sometimes slippery ground, against people wearing layers of clothing, adds some needed realism to self defense. Chances are if you are ever attacked in real life, you may have to face these conditions. Even throwing a simple and normally powerful elbow strike is difficult if you slide on a patch of ice (which I found out last week.) It makes you realize that things like head kicks or spinning kicks are maybe not as good for self defense as you once thought. Plus, with the noise of the passing traffic it is almost impossible to hear your attacker approaching. This drastically cuts down on the time you have to react with something that makes sense.

Toughness is an element that is necessary in nearly every sport, and certainly in the martial arts. Forcing yourself to train in less than ideal conditions helps develop this inner sense of strength. It shows you that you can go outside in the rain or snow, do what you have to, and return relatively unscathed. I think anyone who has experienced this will agree that it feels good running up that hill. It feels good throwing your techniques and working through circle attacks as the wind rushes at you. There is a certain amount of satisfaction when you throw your wet and mud-stained uniform in the wash.

Personally, staying focused outside is the toughest thing for me. The rushing cars, occasional jogger, dog walkers, and the huge glowing Tim Horton's sign are all major distractions. Staying focused through kata and basics is even more difficult with all these other things going on.

I strongly urge people to join us outside. It is excellent training and you will feel good about it. Oxyclean and Tide are great at getting mud out of white uniforms.  

Photo By: Ken Smith

Warming-Up Before Practice Starts

Post by: S Lee

You bow in, enter the dojo, bow to the shrine, and see that you have a good ten minutes before practice starts. Now what? Lately we have been going over some good ways to warm-up on your own when you get to the dojo a little bit early.

Range of motion exercises are a good way to start, but they shouldn't be done for more than a couple minutes. Muscles are like taffy, when they are warm they are stretchy and flexible. However, when they are cold they are susceptible to injury. Therefore, it is best to start warming up those muscles before you start stretching or doing strenuous activity like punching and kicking the bags. Here are some ideas:

-Knees to chest
-Jumping jacks
-Light jog, incorporating upper body movement
-Light shadow boxing
-Jump rope
-Kata
-Tai Sabaki

After a few minutes of warming up with one of these activities, your muscles should start feeling warm and loose. Depending on how warmed up you are, you may feel like stretching at this point. Another option is to start practicing techniques. Bag work, push-ups, sit-ups, weapons kata, rolls, and other techniques can be practiced for the last few minutes before class starts.

There are some things you should NOT be doing:

-Talking about non-martial arts stuff
-Sitting down to stretch
-Staring into oblivion

It is important to get the most out of every class you attend. This is true for everyone, but even more so for people looking to test. One of the things black belts look for in potential testers is their readiness and enthusiasm. This is also your chance to work that new part of your kata or to go over your offensive sparring combinations without a Sensei scrutinizing your techniques.

Keep these things in mind when arriving to practice early. Have any other ideas for warm-ups? Add them in the comments!

Photo By: Ken Smith

When the Technique Does the Work

Post By: Sensei Lee

Keep in mind that while I have earned the rank of 2nd degree black belt in karate, that in Aiki I'm an orange belt. So I apologize ahead of time if this post is incorrect and shows my Aiki ignorance. I hope that any Aiki readers will correct me if this comes out wrong.  

The other night in Aiki Sensei Dawn put us through a pretty grueling practice. In circle attack fashion we had to go through three techniques in order with the attackers punching 1-8. Not only is it difficult to remember where you are in the sequence and to correctly perform the needed technique, but it is also hard on the attackers. Attackers need to pop up from a throw quickly in order to provide the next punch. Sensei Dawn pointed out near the end of this practice that the Aiki black belts were breathing normally. Meanwhile, the lower belts (myself included) were out of breath and dripping with sweat. 

It amazes me how little physical exertion and effort are needed in Aiki when the techniques are done correctly. Granted, sometimes I want to push myself in practice in order to get a decent "workout." Unfortunately, I don't have time to make it to a gym and then to practice, so martial arts remain my primary form of exercise. However, having the ability to choose when to push yourself in terms of exertion and when to let the Aiki work for you, now that sounds like a great ability to have. 

Photo By: Ken Smith

 

Competitions and the Martial Arts

Post By: Sensei Lee

A few years ago Sensei Kris and I entered an international karate tournament, with Sensei Harp's permission of course. While there were competitions in kata, weapons, semi contact sparring, and no contact sparring, we picked full contact fighting to compete in. Both of us had our own reasons for entering. Personally, I wanted to experience the competitive environment and see how my training held up against someone trying to hurt me.

Fighting in tournaments is very different from the sparring we do at our dojo. There were different rules as well as different goals. For example, elbows, leg kicks, and knee smashes were allowed but not punches to the face. The goal of the match was to render your opponent unable to continue. This meant knocking them unconscious. Points were also awarded for spirit and dominance during the match. No gear was worn, except for mouth guards.

For those who have never been to a karate tournament, they are not easy. There were last minute weight division changes, fighters dropped out and had be reorganized, and the fights were running hours behind. Managing through all this is sometimes just as hard as the competition itself.

Even so, I'm glad we entered. Considering that we had no competition training, we both did very well. Sensei Kris came in second while I came in third in our divisions. We both stuck it out and fought hard during our time in the ring. Sensei Phil was a great corner man as well! While I'm not sure if I would ever compete again, I did enjoy some aspects of the experience. I was able to fight with people from other styles, including the reigning Canadian champion!

Competitions have their benefits and rewards. It feels good to prepare, work hard, and experience other schools and styles. However, you have to be careful not to let it influence your ego too much, or to take the results too personally. Treat it like any other facet of your training: Learn and grow.

Check out S Kris's battle! There is a link to it on the left under the "Harp Karate on YouTube" heading.

Photo By: Ken Smith

Training with an Injury

Post By: Lee Phelan

Eventually one day it happens: you move incorrectly, have a lapse in concentration, or find yourself in the wrong place at the wrong time. Sure enough, you walk away with an injury. Hopefully it wasn't serious. Maybe all you need is some ice, ibuprofen, and Tiger Balm. But sometimes it is serious, and you end up having to take some time off or drastically change how you train.

Injuries for the most part are frustrating, painful, and reminders of our vulnerability. However, they can also teach us a great deal.

Being injured does not have to interfere with your training. Just about anything we do can be modified and adjusted. Techniques can be done one handed, sitting down, slowly, gently, or even mentally. This forces us to use our other abilities to accomplish an end result. Sure, you may feel silly at first. But in actuality you are enhancing your training and adding an element of realism as well. In an actual self defense situation, you may not have all your weapons available. You may end up injured in the exchange and have to improvise. Working around an injury allows you to work on other facets of training that may otherwise be ignored. Without muscle to compensate, balance and positioning become that much more important.

That being said, always follow the advice given by a doctor or other medical professional. If they tell you to take it easy and stay out of practice, do it. If a Sensei tells you to stop and treat an injury, do it.

One of the biggest lessons the martial arts have taught me is perseverance. No matter what challenges are ahead, continue fighting and confidently head forward towards your goals.    

Photo by: Akeeris

On drinking, Spitting and Sword

Post By: Sensei Kris

Welcome to the second part of my irregular series on the Isshinryu Code. In this feature, we’ll examine one of the strangest of the tenets:

The manner of drinking and spitting is either hard or soft.

At first glance, one might wonder whether we are talking about martial arts at all. But I think this one line from the code nicely sums up a lot of what we do at Harp Karate.

First of all, we need to think more closely about “drinking” and “spitting”. Both deal with the same idea: are taking a liquid into your body (drinking) or expelling it from your body (spitting). If we replace the word “liquid” with “an opponent’s energy”, we get something interesting: The manner of taking an opponent’s energy and returning that energy is either hard or soft.

After a small amount of training, especially in circle attacks or sparring, we’ve experienced this. Sometimes you charge in at the person in the center in a direct confrontation (spitting hard). They respond by either meeting your charge with direct force like a block or a kick that catches you before you get too close (drinking hard) or by moving slightly and redirecting your energy (drinking soft). At other times, you try to be sneakier and attack the person in the middle more indirectly, such as a leg sweep while they are trying to reset after the last attack (spitting soft). They respond either by solidifying themselves against the sweep (drinking hard) or by allowing you to move them and then continuing that motion to their advantage (drinking soft).

We’re all used to sparring combinations. This tenet reminds us that there is a higher level of combinations – sort of a “meta-level” – where we think in larger terms about how we are being attacked and how we are responding to the attack. So here’s where my mathematician’s way of thinking comes into it. We have two ways of drinking and two ways of spitting. That’s 2 X 2 = 4 combinations of responding. To summarize them, we can

Drink hard and spit soft

Drink soft and spit soft

Drink hard and spit hard

Drink soft and spit hard

In sword, we refer to this by a more formal concept of yin and yang. Your partner attacks with the sword and you either block with yang (force against force) or yin (redirecting energy). Your counterattack after the block is either yin (following their movement) or yang (against their movement). Further, sword has eight basic strikes and eight blocks, so the combinations start to grow: eight strikes X 2 blocks (yin/yang) X 2 counterstrikes (yin/yang) = 32 combinations. When you factor in the three different distances that might be involved (close, middle, far) and how that affects the way you perform the technique, we suddenly get to around 96 combinations. Those on the Aiki side of the dojo are familiar with this combinatorial way of thinking (whether they realize it or not). But the karate side tends not to think this way too much.

At any rate, we’ve now got a lot of movements to memorize and practice. And to try and recognize which of those 96 you need at any given split second of a sword fight would result in “analysis paralysis” for most people. So the goal of our training is not simply to memorize all the movements and perform them perfectly. It is more subtle (did we ever think it wouldn’t be?). We need to think about the basic components of each of the movements – build our understanding and ability to perform them strong – so that we can use them as Lego blocks and build an appropriate response in the heat of the moment. This requires us to be fully present in the moment of each activity in the dojo and our personal training, aware of each of the facets (distance, the attacker’s technique, our block, our counter, etc.) so that we can develop a feel for what is actually happening that goes beyond what is easily seen.

So as you train in karate, Aiki, sword, automobile traffic, assignments, or whatever, think about how you take in the situation and how your give back. After all, it’s the season of giving! So drink up, everyone! (Or drink down, or…)

Photo By: Ken Smith

Switching Styles: Aiki and Karate

Post By: Lee Phelan

For the month of September Karate students had the opportunity to switch over and try some Aiki classes. I have also been practicing Aiki a couple nights a week for approximately a year or so. Even though these arts are practiced under the same roof, they are very different, and switching between them is no easy task.

Sensei Kris is the one who pointed out one major difference that tends to perplex karate students. In karate, you can really feel the devastation of a correct technique. For example, if you kick a bag or mitt with a perfectly balanced and executed roundhouse kick, you can see and feel the strength of it. The punching bag swings back with a deep THRUMP and you feel like you could hold your kick in the chamber and deliver yet another technique. Aiki is much more subtle. When done correctly, gravity does more “work” than the practitioner when it comes to throws. Controls are more about alignment than wrenching certain joints one way or another.

It is never easy switching styles. Even similar arts like Karate and Taekwondo or Aikido and Judo have some major and unexpected differences. It takes a bit of effort to put aside familiarity and muscle memory in order to learn something entirely new. It also takes some humility to adjust and take in instruction on concepts or techniques you thought you knew.

So this is a congratulatory post for the karate students who ventured onto the Aiki mat in September, and for the Aiki instructors who patiently shared their knowledge and insight. I also want to commend the Aiki students who have come to sparring classes. Aiki practitioners are excellent sparring partners, despite coming from an art that has little traditional sparring instruction. 

Photo by: Ken Smith

To Aiki-Otoshi Or Not to Aiki-Otoshi

Post By: Dawn Hampsey

It’s a running joke around me that I will do any Aiki technique we have except Aiki Otoshi. It’s one of the first techniques you learn in the Aiki Judo program. Karate people know it, maybe not by name but they know it. It’s the first technique you learn in Judo as well, except it’s call O-Soto-Geri. It’s not that I don’t like Aiki Otoshi, it’s just that I like the other techniques too and Aiki Otoshi monopolizes the floor too often. I have to step in and give the other techniques a chance to play. As a white belt you spend most of the time doing Aiki Otoshi. Then you progress in rank and learn other techniques. Then a new student enters the dojo and that technique is all they know so you do Aiki Otoshi. Then you work a drill, and yes, we all do Aiki Otoshi with it because everyone on the floor who is white belt and up knows it.

Well, this past week, I had this drill where I was trying to get Aiki techniques on Sensei Ken. Not a lot was working, but then he was waiting for them and would counter as fast as I thought to do them. Until, Aiki Otoshi showed up and he hit the mat.  Yes! Everyone noticed that I did Aiki Otoshi. Shaking their head like it’s the technique of the Gods. Pointing at me. You see, Aiki Otoshi – tried and true. Could it just be that Aiki Otoshi is the only technique I’ve practiced enough to make work that fast? Which only proves my point, I’ve worked it a lot, time to let the other techniques have a turn. I feel a challenge coming on – I should now work Kaiten Nage so much that I can execute it on the unsuspecting uki regardless of their cooperation. Fun times.

Photo by Terry David-Smock